NEWS
Hi 2026
Find all latest news and upcoming performances on
https://aurelieferriere.com/new-works/ and
https://aurelieferriere.com/live/
See you there!
Orchestra premiere 2026
Next year the Stockholm Philharmonic will perform my piece Eltamin, conducted by their musical director Ryan Bancroft. That’s on May 28th and 30th, 2026, at Konserthuset in Stockholm; these will be the closing concerts of the orchestra’s season.
Tickets go on sale this Thursday: book yours here.
More info about the piece here!
Disklavier performance
My piece fantômes for prepared Disklavier (a self-playing piano), electronics and echoes of different things just premiered in Stockholm on June 10!
I missed it as I spent my spring at the Mozarteum in Salzburg but the music video will be soon available on my “new works” page.
Cikatri$ US-tour 10 years!
This spring marks 10 years since the Southwest-USA tour of my band CIKATRI$!
We were booked in the official SXSW Music Programme 2015 as part of the Swedish delegation, and I combined this with some dates through a wide part of the South.
Impressions of this tour & road trip are found in the music video for La Lumière below, more videos here.
To celebrate, I will throw in “The Texas EP” cassette for free (while supplies last!) in all orders passed on Bandcamp until this summer, enjoy!
…then I was invited again to perform at SXSW in 2019 with my underwater 3D piece Musicomexp – more on that very soon!!
Chamber opera premiere
I wrote the second act of the chamber opera Clavigo, a project made possible by the Peter Eötvös Contemporary Music Foundation after a workshop this spring.
The opera premiered at the Budapest Music Center on 7/12, and was performed again at the Collegium Hungaricum in Berlin on 9/12. Impressions from the first performance below!
Featuring:
Marie: Márta Murányi – soprano
Sophie: Anna Molnár – mezzosoprano
Beaumarchais: Sztojanov Georgi – tenor
Clavigo: Zsombor Cserményi – bariton
and the Classicus Quartet: Eszter Kökény – violin, Alíz Gál-Szabó – violin, Péter Tornyai – viola, Tamás Zétényi – violoncello
Obras residency 2024
Summer in Portugal
I finished writing the chamber opera act Clavigo during a residency period at Obras in Portugal – a place I always love going back to and work at, after all these years.
In my artist talk (below) I told the story of my string orchestra piece Futur/scènes, read about it here.
— pics by Ludger van der Eerden —
Upcoming new pieces
Upcoming premieres! // Calendrier des créations de mes nouvelles pièces… // Snart uruppföranden:
6 May, Kungasalen, Stockholm
Duell för horn och inspelad sång
– a piece for horn and electronics, written as a duel between a live horn and a recorded soprano voice singing a few words by Kierkegaard (two Sørens are involved… as the piece is dedicated to, and premiered by hornist Sören Hermansson)
17 May, Futur Scènes for string orchestra, written for Musica Vitae, Nygatan6, Växjö, Sweden. This piece was inspired by periodic acoustic patterns I heard in the Pacific during my Musicomexp journey, telling of scenes from an upcoming music theatre piece (the title is made of two French nouns in a foreign grammar!)
…a bit later but very much looked forward to:
7 December, Budapest Music Center, Hungary
Act II of Clavigo, a chamber opera creation made possible by the Peter Eötvös Contemporary Music Foundation in Budapest.
More info very soon…
A chamber opera in the making
In February I was part of a chamber opera workshop at the Peter Eötvös Contemporary Music Foundation in Budapest, where I had the chance to meet György Kurtág when my piece was discussed.
I was then selected as one of the composers for the next phase of the project: Clavigo, a chamber opera after the play by Goethe.
Very sadly Peter passed away in March as you know; the project is still on though and the chamber opera will premiere in Budapest in December, with more dates planned in Berlin and Köln. So right now I’m writing act II of this Clavigo!
Late summer residency at Obras
After a summer filled of music festivals and courses including Montpellier, Bayreuth and Darmstadt(!), I started composing again in Stockholm, only making an exception for a late-summer creation residency at Obras in Portugal in October.
Here’s a pic from my artist talk; have a look at the map I drew for my colleagues on the wall behind me: it pictures the developments of my composition plans and adventures, showing why music theatre is what I’ve come to in the past few years, as much as how I had been aiming for it from the start.
….a quick stop in Weimar between Bayreuth and Darmstadt (the guard in charge cautioned the taking of this picture!)
Live impro gigs
More “Space Jazz for the Future II” gigs this spring! Do not miss the legendary sleeping bag electroacoustic marathon at Fylkingen in June, powered by Vems (verksamma tonsättare på EMS, Elektronmusikstudion). All details in the “live” section
