Tonmeister

Aurélie earned a FSMS master degree as artistic/sound director from Paris Conservatoire CNSMDP in 2006 and free-lanced part-time as a music producer for the following 15 years. Collaborations include record producing and concert recordings for various artists and classical music festivals (Valloires, Giverny…) or studios such as 4th Street Recording (LA), production and sound design for media and institutions like the Louvre and Pompidou museums, Richard Serra at Monumenta (Paris). She has worked as a live mixing engineer for the Swedish Radio Symphony Orchestra for several years, as a music producer for P2 and broadcast producer for the Baltic Sea Festival until 2021, doing various music recordings and video, program curating and specialised music panel-discussions, also developping immersive content for their classical & experimental channel. In 2020-2021 Aurélie mostly worked as score supervisor for symphonic concerts streamed on Berwaldhallen Play; she was also music producer and editor for Malin Broman’s x 8 (Mendelssohn’s Octet) viral video, and assistant opera director and score supervisor for streaming and staging for Don Giovanni and other hybrid projects, ending collaborations with the National Radio in 2022. After honoring jury member missions for various competitions and exams (CNSMDP), as well as sitting in the peer reference group for the National Grants Institute (Kulturrådet) until 2024, she currently takes max one director job a year on the side from composing (or as assistant director for opera staging, after a successful first try with director Mariame Clément at the Bregenz Festival – in a production which won the 2019 Austrian Muzikteaterpreiz for best opera production).